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New Voices in Chinese Science Fiction Paperback – 7 July 2022
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Science fiction is international in scope, but many works are often unavailable to readers because of language barriers or the costs involved in transcending them. In the eleven years I've been publishing science fiction works from China, I've had the privilege of working with and featuring stories by both of my co-editors, as well as dozens of other authors. Anthologies and projects like this one are an editor's joy. We've been given the opportunity to shine a light on eight Chinese authors that have not been previously published (at that time) in English. Authors you should know about. New voices, or at least new to you.
Includes stories by:
- Shuang Chimu 双翅目
- Liu Xiao 刘啸
- Yang Wanqing 杨晚晴
- Hui Hu 灰狐
- Congyun "Mu Ming" Gu 慕明
- Liang Qingsan 梁清散
- Shi Heiyao 石黑曜
- Liao Shubo 廖舒波
- Print length220 pages
- LanguageEnglish
- Publication date7 July 2022
- Dimensions13.97 x 1.4 x 21.59 cm
- ISBN-101642361119
- ISBN-13978-1642361117
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Product details
- Publisher : Clarkesworld Books
- Publication date : 7 July 2022
- Language : English
- Print length : 220 pages
- ISBN-10 : 1642361119
- ISBN-13 : 978-1642361117
- Item weight : 236 g
- Dimensions : 13.97 x 1.4 x 21.59 cm
- Best Sellers Rank: 354,839 in Books (See Top 100 in Books)
- 193 in Chinese Literature
- 1,418 in Science Fiction Anthologies
- 3,599 in Science Fiction Short Stories (Books)
- Customer Reviews:
About the author

Neil Clarke is the multi-award-winning editor of Clarkesworld Magazine and over a dozen anthologies, including the Best Science Fiction of the Year series. He is a three-time winner of the Hugo Award for Best Editor Short Form, four-time winner of the Chesley Award for Best Art Director, and 2024 winner of the Locus Award for Best Editor. In 2019, Clarke received the SFWA Kate Wilhelm Solstice Award for distinguished contributions to the science fiction and fantasy community. He currently lives in New Jersey with his wife and two sons.
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- SJ RyanReviewed in the United States on 23 June 2023
5.0 out of 5 stars Excellent selection of top-flight SFF from a wide range of styles and subjects.
Format: KindleVerified PurchaseThis was a among the many things purchased in fits of enthusiasm which then languish for a bit in the bottomless morass that’s my Kindle—nine months in its case. And this is one the rare ones that I really wish I’d gotten to earlier. All of these stories are good, and they span a dizzying range of styles and approaches.
A couple of favorites, although I felt spoiled for choices:
• <i>Tombstone</i>, Yang Wanqing, translated by Andy Dudak (2021). New Anchorage is kept safe and prosperous by harvesting the energy from departing souls in the giant, tombstone-like Osiris Tower. Xiaofan is a conductor of those departing, but gradually, like cracks at the base of a tombstone, doubt is beginning to creep into his mind about what, exactly, he’s working with. In the shattering of old certainties, he finds a new purpose. This was dystopian, but crackled with vibrant energy.
• <i>The Kite of Jinan</i>, Liang Qinsan, translated by Emily Jin (2018). In the introduction to the volume, Xia Jie calls the story “a factually fictional history of technology.” Written in a non-fiction style, this centers on a fictional amateur historian’s deconstruction of a 1910 explosion at a small gunpowder factory in Shandong province. Done in a style completely unlike the other stories—for once calling this “unique” is not a stretch—it nonetheless tells a fascinating story about a restless inventor at a pivotal, turbulent period in Chinese history.
• <i>The Postman</i>, Liao Shubo, translated by Rebecca Kuang. This was a shortish story about an interstellar postman who gets an unusual, life-changing message from the past. The story deals in universal themes of loneliness and love, as well as the irony that sometimes we never quite see the whole truth about the things which move us. Just lovely work.
I was struck by the historical consciousness of some of the stories. <i>The Kite of Jinan</i> is an obvious example, but a couple of others, e.g. <i>The Bridge</i> and <i>By These Hands</i>, expressed it indirectly in the form of discussing how “the old ways” are being displaced. Change, of course, has been a continuous feature of the last decades of Chinese history, so it would make some sense if that was close to the surface in its popular literature as well.
All in all, an excellent collection.