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New Voices in Chinese Science Fiction ペーパーバック – 2022/7/7
購入オプションとあわせ買い
Science fiction is international in scope, but many works are often unavailable to readers because of language barriers or the costs involved in transcending them. In the eleven years I've been publishing science fiction works from China, I've had the privilege of working with and featuring stories by both of my co-editors, as well as dozens of other authors. Anthologies and projects like this one are an editor's joy. We've been given the opportunity to shine a light on eight Chinese authors that have not been previously published (at that time) in English. Authors you should know about. New voices, or at least new to you.
Includes stories by:
- Shuang Chimu 双翅目
- Liu Xiao 刘啸
- Yang Wanqing 杨晚晴
- Hui Hu 灰狐
- Congyun "Mu Ming" Gu 慕明
- Liang Qingsan 梁清散
- Shi Heiyao 石黑曜
- Liao Shubo 廖舒波
- 本の長さ220ページ
- 言語英語
- 発売日2022/7/7
- 寸法13.97 x 1.4 x 21.59 cm
- ISBN-101642361119
- ISBN-13978-1642361117
登録情報
- 出版社 : Clarkesworld Books (2022/7/7)
- 発売日 : 2022/7/7
- 言語 : 英語
- ペーパーバック : 220ページ
- ISBN-10 : 1642361119
- ISBN-13 : 978-1642361117
- 寸法 : 13.97 x 1.4 x 21.59 cm
- Amazon 売れ筋ランキング: - 319,792位洋書 (洋書の売れ筋ランキングを見る)
- - 446位Science Fiction Anthologies
- - 2,100位World Literature (洋書)
- - 2,568位Short Stories Anthologies
- カスタマーレビュー:
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他の国からのトップレビュー
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SJ Ryan2023年6月23日にアメリカ合衆国でレビュー済み
5つ星のうち5.0 Excellent selection of top-flight SFF from a wide range of styles and subjects.
Amazonで購入This was a among the many things purchased in fits of enthusiasm which then languish for a bit in the bottomless morass that’s my Kindle—nine months in its case. And this is one the rare ones that I really wish I’d gotten to earlier. All of these stories are good, and they span a dizzying range of styles and approaches.
A couple of favorites, although I felt spoiled for choices:
• <i>Tombstone</i>, Yang Wanqing, translated by Andy Dudak (2021). New Anchorage is kept safe and prosperous by harvesting the energy from departing souls in the giant, tombstone-like Osiris Tower. Xiaofan is a conductor of those departing, but gradually, like cracks at the base of a tombstone, doubt is beginning to creep into his mind about what, exactly, he’s working with. In the shattering of old certainties, he finds a new purpose. This was dystopian, but crackled with vibrant energy.
• <i>The Kite of Jinan</i>, Liang Qinsan, translated by Emily Jin (2018). In the introduction to the volume, Xia Jie calls the story “a factually fictional history of technology.” Written in a non-fiction style, this centers on a fictional amateur historian’s deconstruction of a 1910 explosion at a small gunpowder factory in Shandong province. Done in a style completely unlike the other stories—for once calling this “unique” is not a stretch—it nonetheless tells a fascinating story about a restless inventor at a pivotal, turbulent period in Chinese history.
• <i>The Postman</i>, Liao Shubo, translated by Rebecca Kuang. This was a shortish story about an interstellar postman who gets an unusual, life-changing message from the past. The story deals in universal themes of loneliness and love, as well as the irony that sometimes we never quite see the whole truth about the things which move us. Just lovely work.
I was struck by the historical consciousness of some of the stories. <i>The Kite of Jinan</i> is an obvious example, but a couple of others, e.g. <i>The Bridge</i> and <i>By These Hands</i>, expressed it indirectly in the form of discussing how “the old ways” are being displaced. Change, of course, has been a continuous feature of the last decades of Chinese history, so it would make some sense if that was close to the surface in its popular literature as well.
All in all, an excellent collection.
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Roy Perez-Daple2022年11月10日にアメリカ合衆国でレビュー済み
5つ星のうち3.0 Ok stories
Amazonで購入Different perspectives. One good one.